By Alex Archer, Michele Hauf
An area superstition or one in all history's monsters come to lifestyles?
Deep within the Bavarian woodland, archaeologists unearth a medieval human cranium with a brick filled in its mouth. while Annja Creed catches wind of the unusual discovery, the television host and archaeologist rushes to hitch the dig. however the superstitious locals are livid, fearing the excavation has angered one of many chewing dead—those who upward thrust from their graves to banquet on human flesh and blood. and shortly she and her colleagues are dealing with down violent mobs and loss of life threats. so far as Annja is worried, even though, the vampire fantasy is a load of bunk.
Then a toddler is going lacking.
Suddenly ensnared within the Czech Republic's black industry underworld, Annja has no difficulty believing that somebody wishes blood. yet during this international, evil is available in human shape, and Annja has no selection: she needs to wield Joan of Arc's sword to guard the innocent….
At the ground of a lake lies an old cache worthy killing for…
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Additional resources for Blood Cursed (Rogue Angel, Book 44)
847 xxxvii Contents Part V: Organizing and Managing Drawings 849 Chapter 26: Keeping Control of Your Drawings . . . . . . . .
751 xxxv Contents Chapter 24: Creating Solids and Editing in 3D . . . . . . . . 815 Chapter 25: Rendering in 3D . . . . . . . . . . . . . 847 xxxvii Contents Part V: Organizing and Managing Drawings 849 Chapter 26: Keeping Control of Your Drawings . . . . . . . .
482 xxix Contents Chapter 17: Plotting and Printing Your Drawing . . . . . . . . 517 Part III: Working with Data 519 Chapter 18: Working with Blocks and Attributes . . . . . . . . 584 Chapter 19: Referencing Other Drawings . . . . . . . . . 607 Chapter 20: Working with External Databases . . . . . . . . 638 Part IV: Drawing in Three Dimensions 639 Chapter 21: Specifying 3D Coordinates. . . . . . . . . . 665 xxxiii Contents Chapter 22: Viewing 3D Drawings . .